This project investigates spaces that can facilitate the permanent and provisional. Archive As Process. Any object is allowed to be placed in another position in another gesture, as the space function by how it is structured but not the value or materiality of the object itself. The investigations into design are both critical and agile. The boundaries between public and private life are dissolving in increasingly online existence. Through challenging the production of the domestic interior, Re[making] Home[making] explores how we may begin to [re]construct interiors outside of the domestic context, within larger social structures and interiors. It aims to explore the dynamic relationship between people, time, sites and the surrounding space. It poses the question: how can interior design processes establish a regenerative practice, that considers land, materials and community? This then leads to the research question: Considering the in[between] as a space of becoming, how can techniques of disruption stimulate its potential dynamism within the practice of interior design? (re)organising these notations, I aim to connect the site’s past to present and potentialities of its future, highlighting and revaluing what is already present. SHARING HOME proposes an accommodation network, designed inside the Vista Sala model of Constant's New Babylon. These techniques provide more insight into how the past, present and future—the duration—of time can be visualised. Launched in 2020, the Civic Sinoburbia project examines the changing social and civic practices in Sydney suburbs with high numbers of Chinese heritage residents. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. The current project. Abstracting Nature: the imagination of earth, air, water, fire. This research explores how historical and contemporary buildings can be programmed together to facilitate new interiors. The work documents the transient condition of materials and surfaces through film and photography—mediums inherently connected to the passage of time. Small-scale and human-scale model fences were developed and examined to test the structural components of fences on vertical and horizontal planes. Three key strategies have been identified through the research; these being downsizing, compact living, and adaptation. The qualities inform our interaction within space and create a material encounter for us to experience. The Education Portfolio has specific responsibilities to deliver on the goals described below. It encourages visitors to explore, to recognize and to question the coexistence and has its potential to be introduced city-based and world-widely. Daylighting, one of the most valued elements of a living environment, has a great impact on human’s physical and psychological health in both positive and negative ways. The work is guided by a concern for the ongoing destruction of the environment and driven by a desire to establish a regenerative practice of interior design. How as an interior designer can I respond to this unique situation? The domestic interior is explored as a staged environment housing clues to everyday situations that provide a narrative of space. Excessive daylighting which also known as unhealthy lighting is now a worldwide raising issue in this fast-developing era after many years struggling in lack of daylight. The exploration into the quality, texture and culture of the food is used to create transformative spatial atmospheres. The scenographic explorations focus on a series of sensory experiences such as digital visualisation (the integration of reality and virtually) and physical touch (body gestures) by intervention, diagrams and model making. How do we allow these experiences and notions to form new experiences? For example, at mealtimes within an age care home, the structure and positioning of a dining chair, partially restricts the user’s mobility to be constrained within the space of the chair itself. Upon understanding and exploring the idea of ‘grey space’, this research project explores the question: How does the notion of ‘grey space’ expand and/ or contract our experience of specific threshold throughout the urban interior? Through the virtual embodiment of another person, this project seeks to open up future design opportunities that concern the experiencing of place through the interaction of a converged physical and digital context. Salary information comes from 102 data points collected directly from employees, users, and past and present job advertisements on Indeed in the past 36 months. As we encounter in our practical lives, we are constantly engaging a whole kind of relationship with the world and continually intertwining our experience with interiority and exteriority. With respect to the current restrictions on live theatre during this time, there is a clear and substantive opportunity to create a more immersive experience of live theatre within the digital landscape. Recent explorations use various techniques including collages, videography, creating taxonomies of domestic objects throughout the domestic interior. Interior and landscape are usually considered as two different aspects of existence; the boundary between the two is more ambiguous than we think. “Angle” is defined as not only the physical locations but also the time or situation. How can we provide better public housing spaces through ideas of repair while utilising memory as a design tool to better understand the human experience and interface? Are we able to use ephemeral and acoustic conditions of space, reproduced within into a new situation to simulate the notion of another site? Auditory [archives] is an exploration of auditory sensory engagement, archiving, and every day. Any object doesn’t have to be at the place it is positioned. Through the performance of testing and the ambition to develop a library of techniques focused on forming a deep insight into to those facing health-related limitations, this study seeks to prove that is the patients themselves who are holding the key to all the answers. With this intention, the practice engages with simulation as mediation – providing a subjective lens that views situations superficially. The ways of getting people in a place, it needs to feel comfortable, and that tie to trust, and the sense of belonging, this can lead to public feeling warm and affect the result in consumer returning. Humans breathe 86400 times a day, the human nose never stops smelling. During the inevitable point of transition between these two spheres, whether that be digital-physical, physical-digital, digital-digital, or physical-physical, there is a shift in state that occurs. By speculatively. Month. I explore the theme of ‘Temporary Eternity’ through a modular design system in our living spaces. In addition, I will be looking into how branding can influence consumers' perception of value through illusion and how we might be able to use design as a tool to create new illusions of luxury. The purpose of this study is to delve to grasp the atmosphere of work through the use of transparent and reflective materials to create a series of spaces that reproduce the experience of the indoor natural environment. Can these experiences subsequently cultivate a re-interpretation of humans’ relationship with the living world? Through these explorations, the materials temporally changed the atmospheric qualities of space and the effects on the individual. Through research and making, I found that home is more than a physical structure that shelters us; it is a space where we could create a sense of belonging in a common area. The technique of film and photography are used to narrative and reflect our world view. By rethinking the way in which we inhabit spaces and strengthening this connection, the aim is to produce a heightened relationship to the environment that creates a sense of care and need in the city through the way we work, play, and live. How can we rethink the ways in which information can be communicated to tourists on the climate, geology and geographical histories of a site? 2 January RMIT University reopens (Thursday) This exhibition is composed of several different pavilions, each will be combined with natural elements such as light, water, wind, etc. Climate change is a leading global issue, making it crucial as ever for every creatives and designer to produce without damaging the environment even further. Would combinations of materials temporally create new interiors? Week number. Major Project Catalogue 2017 S1 As the title described, the proposed project aims to arouse the notion of time while people are waiting for their trains. How can we give back to the land rather simply take from it? By placing the home[making] practice within the gallery, this research project begins to reveal new ways of producing and inhabiting the home. These methods have been explored through various processes, including photography, model making, collaging, drawing, and iconography. When ones seeing another person move in the space, ones tend to follow. 23 : 25 December 2019 - 1 January 2020 University closedown. Filming basic motions similar to that in a retirement village outlined target audience encounters with boundaries. When pieced together it creates a new piece with a broken past that has been reborn into something new. The design proposal is a space renovation and creates an interactive experience while the passenger is waiting on the platform. IAAC MAI ⦠So far, this research project has mainly focused on the food source, food processing, and advertise sustainable food. They often have an absence of invitation or sense of place. How does it affect our perception and experience of space? Masked space project is to discover what technology does to a sense of interiority in the subject and space. Melbourne, Australia, October 5 th 2020: Melbourne-based industrial additive manufacturing company, Titomic Limited, has entered into a commercial research and development agreement with RMIT University (âRMITâ) to be conducted on behalf of Lockheed Martin â a major aerospace and defence company. It also influences their actual experience of re-thinking the city (living environment) and people. A cautious and controlled demeanour is taken on as we hush our voices, turn off our phones and remove our bags from our backs. 2021 Majors & Minors. The domestic life acts as a framework for my investigations aiming to produce situations that speak to the privacy of home, architecture of residence, household objects and the everyday. Therefore, we need to strike a balance between the built and natural environment to benefit both human health and the natural environment. I engaged in processes of interiorization, experimenting with expanded drawing, film, photography, projection, public intervention, installation and assemblage to frame and enhance these observed entities. The investigation is focused on amplifying these seemingly insignificant auditory qualities of the every day, to offer up new opportunities and conversations around interiority. Since the 19th century, technological developments and increased urbanisation have accelerated human divergence from the natural environment. How can transformative techniques affect a living space? An interior that is devoid of the outside world, yet that holds artworks that question, challenge, and reimagine the very social and cultural conventions the gallery tries so hard to remove. This research project explores ideas of performance and movement as ways to produce shared experiences and heighten sociability in public space. It also documents how materials can transpire into spatializing surfaces as well as addresses ideas of decay as a reflection of time. Through this approach, a spatial dialect manifested by a tension between what is happening over there, and how it is interpreted over here, begins to emerge. Suggesting that the social relationships within a retirement village are heavily dependent on the existence and use of boundaries. My research engages transient and historical elements that highlight how transformative atmospheres created with lighting can achieve the effect of contrast immersion when the audience enters the banquet. This explores the current connection to the existing built environments that have influenced us up to this point. RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. By organizing a series of creative activities that opens to all, Vietnam Festival of Creativity & Design 2020 actively contributes to the Vietnamese governmentâs objectives, consolidating its direction to explore the potential of culture in socio-economic development, with an aim to realize the National Strategy for the Development of Cultural Industries to 2020, vision 2030. Model making and the arrangement of the lighting combine with video in the space explore the relation of food quality, texture, historical dissemination of cultural and audience's imaginations. Supporting our people with clearer, smarter, simpler systems, 3.1 Foster leading edge workforce capabilities, 3.2 Identify and address service architecture pain points, 6. Note: BP251 Bachelor of Business (Economics and Finance) comprises 12 courses in the major and does not have provision for a second major. With the physical exhibitions closing due to the situation of Covid-19, online exhibitions come into vogue. Make an intensive study of the positive impact surrounding environment could have on its users. In the context of social, transformation within interior helps people to adapt to a tiny space within this squeezy city; It connects different space and family together. It questions the static nature of traditional design and how we can utilise design to recalibrate the way we look and see. The RMIT Strategic Plan 2020 determines the key directions and focus areas of all areas of the University, including the Education Portfolio. Through an ongoing series of photographs, collages and models Temporary Eternity explores this systematic adaptability, asking how may interior design apply the approaches of the Metabolism movement which utilizes the concept of the city of living cells, ever-changing needs of the interior residents. The research conducted can help us plan and understand the current senior lifestyle conditions applied to the context of social interactions within a retirement village’s activity space. Boundaries are both the division point and the opportunity for where people come together. Page 1 | Last Update: 23 September 2020 . I will be investigating ideas of preservation and repair while using memory as a design tool to better understand the human experience and interface within the public housing realm. A building breaks down, ages and deteriorates over time similar to the human body. Exploring the broader field and understanding the damage, for example, this can be caused by unfortunate events, mental damage, unpleasant memories. This is intended to challenge and influence the way of how people experience spaces within the context and drawing more social attention to native flora within the urban city. 71 Normanby Road. The written passage is replaced with objects to narrate a way of understanding the placement of value within space. The collection of research features sketches, diagramming and collaging to visualise and contemplate the relationships between viewer and art. Using techniques of creating 1:1 scale installation in the site to reflect upon my initial concept alongside sketches. In doing so, it explores how the digital space of the exhibition evokes embodied experiences of physical sites, times, and characters that make the performances. Further exploration will be paid to explore the surface of the building in the last section. Our reliance on digital technology is stronger than ever as communities strive to maintain a connection during social isolation. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business. Us humans have a tendency to categorise and make a name for everything. A small motor and pedestrian bridge connects opposite ends of the shopping centre together whilst simultaneously hiding the lake for passers-by. For the major project in semester 2, the ideas of intimate space in relation to scenography were shifted into the context of educational institutions such as kindergarten, high school, university. Is it possible to replicate the perceptions and feelings of these experiences? The journey started in designing an intervention, allowing the public to interact— through interacting, connectivity, proximity, and joinery design. The project started with questioning how the dweller inhabits their home through design explorations, responding to the situation, time, movement and perception in relation to body and space. Through the technique of scenography, the project is exploring the notion of intimacy in the context of interior design. View the Exhibition: 2020S2 Major Project â Gallery E. Created by MDIT RMIT. Contact our team of experts. The minor moments that construct our everyday routines are overlooked, making us less amazed at our world. Thresholds signify the edges and surfaces of a boundaries limit. The term home[making] is constantly in-flux, taking different shape and form depending on the individual who gives home[making] its contextual definition. This design investigation questions, ‘what is a boundary in the context of human interactions with the world?’ and ‘how can we minimise barriers to foster future friendships in a retirement village?’Boundaries can clarify space and the encounters of relationships. The digital art-viewing experience produces a dynamic relation between viewers and their experience. Photographs were superimposed to distinguish thresholds amongst social interactions that occur during dinner. Atmospheres influence the quality of a space and our well-being. A responsive practice is developed through open observation of environment, situations, and relationships with built and natural interventions. Therefore, I hope to create an exhibition in Carlton Gardens and Flagstaff Gardens that promotes the connection between nature and the interior. This exploration creates more possibilities for human interaction with the natural environment through the use of partitions, porous apertures, and incisions onto surfaces or boundaries to facilitate the communication of information and phenomena from the interior and exterior. The restaurant is telling people about food processing. The Spent Convictions Bill 2020 was introduced in the Victorian Parliament in October 2020. The concept of comfort has also become a key idea that is present within the conceptual framework. Media[ted] is a research project that foregrounds the development of experimental spatial practise, opening a dialogue between physical and digital spaces. 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