—Paul Williams, “Wooden Ships” is a staple from Crosby, Stills & Nash’s eponymous debut album from 1969. More than the specifics of what he did, it’s important to him that he stayed true to himself. Despite 14.5 grams of sugar in a banana, their fiber content and high levels of potassium, Vitamin A, and C makes it a perfect breakfast food. Great fun! This is a great book for the price I paid. The Wayward Wind - Gogi Grant - 1956 Aquarius/Let the Sunshine In - The 5th Dimension - 1969 Just Walking in the Rain - Johnnie Ray - 1956 Windy - The Association - 1967 Sunshine Superman - Donovan - 1966 Raindrops - Dee Clark - 1961 Sunny - Bobby Hebb - 1966 The Rain, the Park and Other Things - The Cowsills - 1967 Rhythm of the Rain - The … It’s one of the better love songs of the ‘60s because of its doe-eyed simplicity, the ease of its melody, and, of course, the power of Valli’s voice when he belts the iconic “I LOVE YOU BABY!” “Can’t Take My Eyes Off You” will remain a classic until drunk grooms stop singing it at weddings, which is to say that it will always be a classic. Before there was a mainstream feminist movement, Loretta Lynn was tackling the hardcore throw-down. —Shane Ryan, Nearly 50 years after its release, “Respect” is still ubiquitous. —Hilary Saunders, As a song about endurance, it is fitting that “The Boxer” remains a powerful and lasting anthem. —Robert Ham, It’s hard to think of any one record that has influenced an entire genre as much as the 13th Floor Elevators’ seminal debut The Psychedelic Sounds of the 13th Floor Elevators influenced the future of psych rock. — Bonnie Stiernberg, Originally titled “Brown Skinned Girl,” this Calypso-kissed AOR staple about an alleged interracial tryst and deemed too hot for pop radio upon its release was without question the biggest hit from Morrison’s ill-fated tenure with groundbreaking producer/songwriter Bert Berns and his Bang Records label. 1 singles by the time this single was released in 1968, but the country star’s incarceration a decade earlier gives this rueful number a particular authenticity. — Bonnie Stiernberg, This lead single from Sonny & Cher’s 1965 album Look at Us is a perfect pop boy-girl duet. Little Stevie Wonder, “Fingertips Part 2”, 92. One of the names that Gaudio pondered for the song was "Peri Baby," which was the name of the record label for which Bob Crewe worked, named after the label owner's daughter. —Mark Lore, Stevie Wonder wrote the music for this song, but he went to Robinson for help with the lyrics. —Mark Lore, The Jimi Hendrix Experience never sounded better than they do on “Fire,” arguably the liveliest performance the trio ever put to tape. The electric guitar’s role in rock music would never be quite the same. Gibson Les Paul Standard w/60s Neck. Furthermore, the track introduces the arrival of John Entwistle as the undisputed king of his instrument and perhaps the most memorable stutter in all of rock history. Song Title Song Artist Year Genre; Top songs of the 1960's is updated by the minute by Gigbuilder - The world's most popular Event Management System. The 60's and 70's was a very special time in music. For the song by Steve Perry, see, CHUM HIT PARADE: Week of September 17, 1962, List of number-one singles of 1962 (Canada), "Billboard Hot 100 60th Anniversary Interactive Chart", "Music: Top 100 Songs | Billboard Hot 100 Chart", "The Help (Music From the Motion Picture)", Working My Way Back to You and More Great New Hits, The Very Best of Frankie Valli & The Four Seasons, Jersey Boys: Original Broadway Cast Recording, https://en.wikipedia.org/w/index.php?title=Sherry_(song)&oldid=985645840, Billboard Hot R&B/Hip-Hop Songs number-one singles, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, A version of the song was later recorded and released by British singer/songwriter, One version of the song was recorded by British pop group. 220 were here. Here, the plea for reconciliation feels more agonized and terrified. If I Knew You Were Comin' I'd've Baked a Cake - Eileen Barton - 1950; Lollipop - The Chordettes - 1958 Little Green Apples - O.C. The Righteous Brothers, “Unchained Melody”, 97. Love is right when it’s simple, and it is in the simplicity of “Be My Baby” that makes it so ingenious. Reception. It’s impossible. It’s not a cry for help but a cry for ownership and pride. Thanks for tuning in. (“This album is eclectic?) The extra time, no doubt, added to the songs depth and drama, accentuated by mariachi-inspired horns and a striking string section. —Robert Ham, The key to loving this song is to falling hard for the very end when lead Angel Peggy Santiglia moves past the restraint she’s exhibited for the rest of the song and starts singing for the rafters. —Matt Fink, Probably the song that Redding is still the most well-known for, “Sitting On A Dock Of The Bay” was co-written by legendary soul man Steve Cropper and recorded mere days before Redding’s death, released posthumously. The song starts with Lennon’s reflections on the news of the day, tinged with his usual dark outlook. Fogerty goes back and forth from point-of-views—from the millionaire’s son to the senator’s son to the folks born to wave the red, white and blue. Some insist that punk rock started in the U.K. in the ’70s; the Sonics tell us otherwise. One of our favorite performances of this song actually came almost 20 years later, though, after divorce and solo careers. Who sang the original song "Woman is a Devil" performed by the Doors? Fogerty gave the people a voice so unique and honest that you couldn’t ignore it. —Tyler Kane, Starr was given the chance to record this snarly, iconic protest song after it was decided that it was too controversial for The Temptations. Back in 2008, Diamond told us the history of the song, written for John F. Kennedy’s daughter Caroline: “It was her birthday and her husband [Edwin Schlossberg] called up and said, “Neil, could you sing happy birthday to Caroline?” I agreed to do it so we set up a cross-country satellite thing in my little studio here in LA. 4.0 out of 5 stars A Fun Picture- Price Guide of 50's, 60's & 70's Board Games Reviewed in the United States on June 1, 2000 A 104 page softbound book, featuring … Martha and the Vandellas, “Dancing in the Street”, 44. "Cherry Bomb" was written by Runaways manager Kim Fowley and guitarist Joan Jett for the group's self-titled debut album. Gibson Custom 1964 ES-335 Reissue '60s Cherry VOS NAMM 2020 (Serial #100596) ... All items purchased from Chicago Music Exchange are made pursuant to a shipment contract. I asked if they’d mind if I sang “Sweet Caroline.” So the connection was made to this gathering at the New York Public Library. — Bonnie Stiernberg 28563, Aretha Franklin was originally offered a chance to record “Son of a Preacher Man” but turned it down, leaving it to become British pop diva Dusty Springfield’s trademark song. "Sherry" is a song written by Bob Gaudio and recorded by The Four Seasons. —Robert Ham, Just as “Umbrella” was kicked down to Rihanna after being rejected by Britney’s label, so too did a dozen or so other bands refuse to record “Happy Together” before it was offered to The Turtles in 1967. The fact that you are married only proves you’re my best friend.” Anyone who has ever been friend-zoned can relate to the aching sadness oozing from this track. —Robert Ham, “Good Vibrations” was Brian Wilson at his best, before he became his worst—a brilliant demonstration of what The Beach Boys may have done before mental illness derailed their frontman’s career soon after this song became released. —Kyle McKenney, As the American public and mass media learned in the ‘60s, one of the best ways to protest unsavory governmental decisions was through song. And yet, in 1969, when bands such as Led Zeppelin and The Rolling Stones were playing stadiums with electric guitars, he got his band of violins and horns together to record this emotional song in his unique style that endures to this day. Smith - 1968 Bread and Butter - The Newbeats - 1964 Jambalaya - Jo Stafford - 1952 Green Onions - Booker T. and the MG's - 1962 Banana Boat (Day-O) - Harry Belafonte - 1957 Jambalaya (On the Bayou) - Hank Williams - 1952 —Robert Ham, The 1965 single cut of “Papa’s Got A Brand New Bag” became a smash because of James Brown’s introduction of funk elements. The opening lick over the quick bass/snare drum combo is instantly recognizable. “There’s something happening here; what it is ain’t exactly clear. And the vocal is framed with precision and love by the instrumental solos: guitar at the opening, electric violin and flute in the middle of the song. It stands alone as a nostalgic ode to home, one of his truly universal themes. Laden with clap-along drums and a flourishing string section, “Be My Baby” is a aural depiction of fresh, undying love; the kind that makes people nauseous both from it’s sickening sweetness and everyone desire to find the same.  "Sherry" became the first single by The Four Seasons to go to number one on the R&B charts. That voice—sounding pissed and possessed—lit up the band’s two releases, 1965’s Here Are The Sonics and Boom, released the following year. It’s inspired countless “singing into a hairbrush” moments, in film and real life alike. James Brown, “I Got You (I Feel Good)”, 16. The Supremes, “Stop! “A Day in the Life” is the consummate example of how perfectly their collaboration could work when the elements mashed. Follow me Now we are up to taking that. — Bonnie Stiernberg, SNAP! There is minor wear (clouding) on the pickup covers from playing and cleaning. Nancy Sinatra, “These Boots Are Made For Walkin’”, 96. What did you do when you were 12? Supposedly when a very inebriated Sonny Bono and his former musical/romantic partner Cher went on Letterman back in 1987, they weren’t expecting to get shoved unceremoniously into the spotlight once more to sing their signature pop classic “I Got You, Babe.” Prearranged or not, the moment when they both gave in and gave a delightful performance of the song made for some great television. Musically, the song mimics the narrator’s high, starting off slowly, then picking up speed and building to a frenzied crescendo (highlighted by John Cale’s viola screeches) before coming back down again in the end. That startling drumshot of an opening: Al Kooper’s beckoning, carnivalesque Hammond B-3 organ part and Michael Bloomfield’s electric-guitar curlicues run around Dylan’s own determined rhythmic playing. In fact, even in its much tamer studio version, The Stooges’ feedback-heavy force of a song still out-fought most hard-rockers in ’69, only being outdone by Detroit brothers The MC5. The song appears on the soundtrack album of the films; Stealing Home (1988) and The Help (2011). And supposedly that television appearance wasn’t planned. The mariachi horns are instantly recognizable, as is Cash’s idiosyncratic baritone. 00:00. —Tyler Kane, It wasn’t the first entry in the psychedelic rock canon, but by March of 1967 no song had gone quite so far in creating a nightmarish alternate universe as “Purple Haze.” Structurally simple yet harmonically complex, it was a plodding, bad trip anthem that turned the blues inside-out and invented heavy metal doom riffage in the process. The swinging 60s might be more than half a century ago now, but their revolutionary impact still remains to this day. “I Ain’t Marching Anymore” criticizes America’s futile Vietnam invasion with zing and zest over quick acoustic strumming in the tradition of folk heroes like Pete Seeger and Woody Guthie. — Zach Blumenfeld, This platinum-selling 1969 single was one of Neil Diamond’s biggest hits. In this performance from 1973—the first time the trio had performed together in years—their harmonies are ragged and the delivery unrehearsed, but regardless, just having these musicians playing together again, and more importantly, obviously enjoying it, was a cause for celebration. Fun fact: On drums is none other than Marvin Gaye. This classic Otis Redding cover is not only one of the best Aretha tracks, but also one of the best songs of all time. — Bonnie Stiernberg, The passion in frontman Levi Stubbs’ vocals is palpable, but in case you didn’t pick up on it, he drives it home with the line “You mean more to me than a woman was ever meant to be.” — Bonnie Stiernberg, If this song sounds suspiciously like a Motown rip-off, fear not. Crafted with a maple centerblock and quarter-sawn Adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. However, bands with votes for multiple songs were limited to two tracks each. I purchased it used, comes with the sheet music with guitar chords. By itself, it’s no more than a melancholic mood piece, but then, after a sudden transition made from harsh glissandos, it changes into what sounds like a separate song—McCartney, churning out one of the light, gorgeous melodies he seemed to summon at will. 00:02. King Crimson, “21st Century Schizoid Man”, 80. —Nate Logsdon, The debut single from The Zombies put them on the charts in both the U.K. and the U.S. Songwriter Rod Argent’s keyboard and a choppy jazz beat open things up before the band’s familiar harmonies come in on the driving chorus. Louis Armstrong, “What a Wonderful World”, 72. The iconic chorus features Diana Ross, Florence Ballard, and Mary Wilson all singing in unison, throwing up choreographed hand gestures that undoubtedly inspired the wrist-twisting of Beyoncé’s “Single Ladies (Put A Ring On It.” —Hilary Saunders, Well, lemme tell ya now: With that piano slide and a bassline that just can’t be beat, this one’s a shoe-in. Through all its agitation—the off-kilter drum fills, furious horn solos, and rolling bass lines—there’s an underlying heartbeat centering the rhythm when it almost falters. Rewind 10 Seconds. This page was last edited on 27 October 2020, at 03:04. Rather, the glinting harpsichord and lightly Eastern-influenced percussion simply nudged the door open for the group to embrace more psychedelic sounds. “”Some things we fudged on slightly to make it rhyme, but the majority of it’s pretty accurate, I guess,” Haggard told NPR of the song in 2010. Including rock ‘n’ roll, itself. —Hilary Saunders, Bob Dylan’s second album, Freewheelin’ came out in 1963 right at the beginning of his career. She was thrilled. Many were preparing to seek radical change in so many ways, and that idea was both scary and liberating. It also gave the world one of the catchiest love songs in the world that’s capable of turning a small group of people into a rousing choir once the chorus kicks in. Up until that point, the song had been bouncing along the runway, fueled by handclaps and those tightly wound harmonies of the backing vocals. It’s become a virtue. I think it’s time we stop, children, what’s that sound? Merry Clayton’s wailing vocal solo is positively chilling, but in the end, there’s a glimmer of hope that reminds us that maybe this song and “You Can’t Always Get What You Want” aren’t so different after all: “Love, sister, is just a kiss away.” — Bonnie Stiernberg, This was one of the first pop songs to include “God’ in its name. An archetypal “splatter platter,” “Leader of The Pack” was just one of many teenage tragedy sides the Shangri-Las would cut, making them something of icons in macabre sub-genre. And it helped bring their second guitarist Jimmy Page into the fold. "Sherry" was the band's first nationally released single and their first number one hit, reaching the top of the U.S. Jackie Wilson, ”(Your Love Keeps Lifting Me) Higher and Higher”, 85. Otis Redding, “(Sittin’ On) The Dock of the Bay”, 17. The Shangri-Las, “Leader of the Pack”, 75. — Bonnie Stiernberg, The Supremes were, bar none, the most successful Motown girl group. This song is the consummate piece of early ‘60s pop. Pickett’s version, which appeared on his 1966 album The Wicket Pickett is the most recognized, even getting adapted again in the early ‘90s in the music film The Commitments. Turn! — Bonnie Stiernberg, The MC5 group was known for their aggressive, political-fueled live shows that, along with fellow Michiganders the Stooges, set the stage for punk rock acts for years to come. The call-and-response of lines like “What’s your name? — Zach Blumenfeld, Jazz has a supernatural presence when crafted correctly. Their catalog included their infamous, yet, most famous, f-bomb-dropping “Kick Out the Jams”—a hard-rocking tune that’s been covered by the likes of Rage Against the Machine and Pearl Jam. A simple tune, not full of the vocal theatrics that he so often performed, it could easily start conversations about the Otis Redding that could have come. The news went everywhere…I was overwhelmed by it.”, This song incorporates so many important elements of R&B in the ‘60s—the call and response of “All you wanna do is ride around Sally” and “Ride, Sally, ride,” the 12-bar blues, and the brass funkiness. —Hilary Saunders, Adapted from a French pop tune from the ‘40s, Bobby Darin’s follow up to the one-two commercial punch that was his other late ‘50s hits, “Dream Lover” and “Mack The Knife,” allowed the crooner to show off another shade to his versatile voice. Tommy James and the Shondells, “Crimson and Clover”, 47. Turn! —Eric R. Danton, Considering the career he has had since, it’s wild to think that this song convinced Eric Clapton to leave The Yardbirds because their sound was getting too commercial in his eyes. Much more than a classic rock anthem, “Piece of My Heart” is a cultural emblem in itself, as well as an icon of a timeless talent gone far too soon. There were points during that time when, despite the ire of rock ‘n’ roll hipsters, the so-called pre-fab four outsold their Liverpudlian predecessors, thanks in large part to the bouncing pop of 1966’s single “I’m A Believer.” Ultimately, The Monkees enjoy a kind of iconic pop culture status both because of and in spite of the unusual and even existential way the group came to be. With a chorus that boasts she’s going to grab that hussy “by the hair a your hand / and lift you off of the ground,” this is worthy of the WWF, and Lynn ain’t playing.
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